The dog is a companion or companion into the afterlife. Dogs can already be found in archaeological finds from the late Ice Age and in prehistoric cave paintings. The dog was also a popular image in Greek and Roman antiquity and shows the role it played for people at that time.
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Dogs in mosaic arts
It appears in mosaics, on vases, as clay figures and in reliefs. The earliest evidence from this period is the mosaic of the “House Guardian” in Pompeii. At the entrance to the house, the visitor is greeted on the floor by a dog that is on a leash but baring its teeth. In the attacking position, he “imagines” the other living quarters. “Cave Carnem” (lat. “Beware of the dog”) can be read under his feet.
He was given the role of protector of the home as well as companion in the hunt. Hunting scenes full of dogs can be found on the Bayeux Tapestry as early as the 11th century. It becomes clear that the relationship between dog and human. Thus, the importance of dogs in society has increased over time.
Dog art from the Middle Ages
In art, the dog can be found in all kinds of representations over time. He is shown as a hunting companion of the nobles as representations to elaborate visual media, such as illustrated manuscripts and tapestries. In the Renaissance and Baroque periods in particular, the hunting scene became an important part of art with recourse to antiquity. The hunting scene is a representative image of a noble person or in the depiction of mythological figures.
At this time, interest in the anatomical structure of various living beings also grew. It is therefore not surprising that anatomical studies of dogs can be found from the Renaissance and Baroque periods. Especially in southern Europe, these are common alongside dog portraits. Giovanni Battista Tiepolo (1696-1770) with his greyhounds, Thomas Gainsborough (1727-1788) and his bulldog and Adolph Menzel (1815-1905) are examples.